Tuesday, September 17, 2013

The Comic Book Rises



Early comic books were far less discerning than comic Book Guy let me believe. While I understand he's a caricature of all thats self righteous in the nerd kingdom, the idea that he sold of early comics being some sort of holy grail stuck with me. Seeing the early strains of the comic book makes for a much more humble beginning.

It makes sense. Taking a familiar, wanted medium that came very sparingly weekly, then reformatting it and distributing it to its audience. It's just smart business. However, it was strange to me how much was reprinted. The format lends itself very well to taking in strips from the papers, but it feels to me as if a new medium warrants a steady flow of new content, even from old work horses. It was also a surprise for me to see multiple, smaller stories in one collection. That sort of compilation is not one I'm familiar with, but the idea is okay with me. The smaller serials were very digestible and felt more akin to cartoons. A connection that is for sure felt both ways.

Of the books I read, I really loved the Donald Duck ones. The simplicity of the frame, the color, the story made for a very solid read that was both light and enjoyable. I can definitely see why it in particular made for such solid inspiration in comics in general.

Another thing I noticed was the heavy advertising. While I'm used to this in comics, It seemed a bit more universal and unspecific. Not like today's advertising that so laser targeted. But I really did like some of the shirts that were in some of the books I read. Unfortunately when I tried calling the number, all I got was an all expenses paid vacation, bummer.

Thursday, September 12, 2013

Krazy Kat



Its a brick. Its the most important plot device in Krazy Kat comics. Its both the catalyst and the resolution in a world where dogs hold a sense of judicial authority and mice just want to see some pain.

Krazy Kat read pretty bizarrely for me. From reading my first one, it was difficult to figure out exactly what was going on. Why was the cat a target for the mouse? Is that police officer supposed to be a dog? Where did the mouse find his fascination for "bricking" people? It was unlike any sort of story I've read in a comic format. Somewhat abstract characters in a very surrealist landscape that changes on a whim felt very abrupt and some what off putting. But when I got down what I understood to be the skeleton of the "plot", find cat, insert brick, I found the allure. A kind of twisted game of cat and mouse that feels more like the only thing that exists in the universe and from the few stories I read, thats the idea. Just a cat and a dog trying to survive a mouse with a brick. Its pretty out there, but thats my wavelength.

It was strange to see how it evolved into actual cartoons. It felt very, very different in tone, more open, more universal. I didnt really like how watered down it was. Boo.